The riveting hammer can make a superb texturing hammer for small-scale work. The hammer is held very lightly, so its weight does the work.Ī riveting hammer can give you a light planished texture and a cross-peen texture The domed brass shape in the photo above was planished over a mushroom stake while the hammer struck the middle area of the stake the metal was moved under these repetitive blows. Planishing is intended to leave even marks that overlap to refine the surface shape. The domed hammer face will leave a deeper texture and more obvious planish marks. This group of hammers will not work on concave shapes because the face will not fit into a hollow curve. The flatter the face, the more subtle the texture. Each hammer has a flat face with rounded edges and a domed face with rounded edges.
The smallest is the HMR-401 it is used for delicate bezels and fine texturing. The HMR-1 is the middle size and is heavy enough for most jewelry projects. The largest is the HMR-101 it is suitable for hollowware or larger jewelry projects. The Fretz planishing hammers, like most brands, come in different sizes. Other hammer companies will also have hammers scaled for different sizes of projects.įretz planishing hammers create a subtle texture of overlapping marks. It is important to remember that each hammer produces two textures. HMR-400 Series hammers are designed for very small projects. HMR-single-digit hammers are scaled for jewelry.
HMR-100 Series are silversmithing-sized hammers. It is a good idea to buff the blank to a scratch-free surface before the texturing begins.Īt Fretz, we code our hammers to indicate their purpose. HMR-300 Series hammers are the largest. Simply cut out a circle, dome it, and mark the hammer number on the blank for future reference. Showing them the variety of textures with samples will give them a chance to participate in the design process and will greatly enhance their experience with custom design work. It will soon be obvious to the craftsman what is possible but not necessarily to your potential customers. Making and keeping samples for various hammer shapes is a good way to have a reference for future designs. Working a piece by hand is an aesthetic statement in contrast to work that is produced by machine or computer. Hammer texture is a primitive way of forming metal and also vital to the contemporary jeweler, as it conveys the process of the craftsman at work. Hammered or hand-wrought jewelry is appealing for its decorative quality and for revealing how the piece was made. Hammer texture can be bold or subtle and is often the element that completes a piece of handmade jewelry. Shape is the foundation and sets the backdrop for color and texture to add their magic. The three main areas of jewelry design are shape, color and texture.
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